Tuesday, July 7, 2026

More Calls for Papers!

n addition to the call for papers for #kzoo2027 (to which we encourage submissions, of course), the Society has been made aware of another pair of CFPs that might be of interest to members. The first of them comes via ISSM from Laura Moncion and Dr Alicia Smith, who write

Workshop Series: Call for Participants - Saints Outside Hagiography 2026-2027
We invite expressions of interest to participate in the Saints Outside Hagiography workshop series 2026–2027. Our group examines how saints and holy people are represented outside the classic form of the single-text hagiography.

Sessions so far have examined texts including: visual art, poetry, mortuary rolls, chronicles, liturgical texts, didactic literature, and objects. We offer an informal, work-in-progress format focused on discussion of primary sources and key methodological questions in the study of saints.

Meetings consist of 1-2 brief presentations, discussing a text or object precirculated along with a short description and the speaker’s guiding questions. If you have a source related to sanctity that you would like to discuss, please get in touch with Laura Moncion (laura.moncion@philosophie.uni-tuebingen.de) and Alicia Smith (alicia.smith@uib.no) by 25 September 2026 with a brief description of the source, career stage, and institutional affiliation if any.

Guidelines
  • Chronological and geographical scope are open.
  • Participants are free to contest whether a text is ‘outside hagiography’ – we aim to study saints and the construction of saint/sanctity beyond canonical textual forms, including troubling our understanding of those forms.
  • If your source is not in English, we will need an English translation.

CFP PDF link: https://drive.google.com/file/d/1O_qFp6IrxwK30pO0ohyfny7rjYdPNiC8/view?usp=drive_link

The second comes from Rachel Warmington, also via ISSM, who writes of a 2027 MAMO session

(Post)national medievalisms

In her discussion of white supremacism in New Zealand context Louise D’Arcens argues against seeing this medievalism, and medievalism in general, in its national context. Following this line of thinking, what could then be argued is that medievalisms have already transcended their nationalistic limitations. On the other hand, there remain medievalist phenomena, such as the United Empire Loyalists origins of English Canadian medievalism postulated by M.J. Toswell, that are firmly situated within their national background. This session of papers is intended to put together these two perspectives: that medievalisms can be very much postnational, since they increasingly transcend the limits of one country and one culture, and that discussion of further national medievalisms is still very much relevant to medievalism studies.

Please send your 250-word abstract at: annaczarnowus@op.pl

The deadline is 30 August 2026.

Members of the Society interested in submitting are encouraged to do so. Those wishing to discuss session-formation with other Society members are encouraged to use the Society Discord to do so; those not already having access to the Society Discord may request it by emailing the Society at talesaftertolkien@gmail.com. And those having CFPs they'd like to see distributed are similarly encouraged. We'd love to hear from you!

#Kzoo2027 - Call For Papers!

The Tales After Tolkien Society is pleased to announce that we have FOUR offerings (three co-sponsored) for the 2027 International Congress on Medieval Studies at Western Michigan University in Kalamazoo! Two of the sessions have been given hybrid slots and the other two will be online. Please see below for the names and descriptions of each session:


The first session is a paper panel titled A Porlockian Perspective: Interruptions in Post-Tolkien Medievalist Works with the following description: The International Porlock Society, long meeting at the ICMS, is dedicated to the study and practice of academic interruption. While the Porlock Society focused its attentions on the works of Sidney and Spenser (himself an early medievalist), it is the case that interruption abounds, both in medieval literatures (witness Arthurian legend) and in the medievalist and neomedievalist media that emerge from them. The proposed session investigates the instances, forms, and functions of interruption in works of post-Tolkien neo/medievalist literatures and other media. This will be a hybrid session.


The second session, also a paper panel, is co-sponsored with Tolkien at Kalamazoo and is titled Continued Lessons from the Professor: Borrowings from Tolkien, 2020+ with the following description: The stated goal of The Tales after Tolkien Society is the investigation of medievalism in popular culture; it has in its very name a commitment to conducting those investigations through the lens of Tolkien and his works. With the COVID-19 pandemic and subsequent upheavals, it may well be that the focus which this lens offers has changed. Papers for the session should look at shifts in use of Tolkien’s works, sources, and methods in the years 2020 and following, speaking to the “after” portion of the Society’s name with particular emphasis. This will be an online session.


The third session is a roundtable co-sponsored with the Lone Medievalist and is titled Medievalism Outside Academe (A Roundtable) with the following description: Most faculty are contingent. The numbers of contingent faculty are dwarfed by those who, after spending years adjuncting, sought other careers yet still feel called to intellectual life. More yet did not pursue lives in academe but still have insights into the medieval, medievalist, and neomedievalist, as well as how they function. The proposed session looks to present perspectives on the medieval, medievalist, and neomedievalist from outside traditional academic structures, calling back to Richard Utz’s ICMS 2015 plenary lecture: medievalist work began as an amateur endeavor. Bringing in nonprofessional, underrepresented, outside perspectives remains worth doing.  This will be a hybrid session.


The fourth and final session is also a roundtable and is co-sponsored with the International Society for the Study of Medievalism (ISSM). It is titled "Will It Bardcore?": Explorations of Medievalist Music (A Roundtable) with the following description: During discussion at the 2026 ICMS session 'Off of the Printed Prose Page', Dr. Elizabeth Perry asked the question of various songs: “Will it bardcore?” Although offered partly in jest, the question prompts consideration of what bardcore is, really; what makes for “good” bardcore; what are representative examples of the genre; how the genre borrows from and interacts with Tolkien and other neo/medievalisms; and what purposes and functions are served by the genre? The proposed roundtable offers space for such considerations. This will be an online session.


While session numbers have not yet been posted to the conference site, you can find all our sessions here to submit abstracts to: https://icms.confex.com/icms/2027/prelim.cgi/Index/SponsorList~Tales%20after%20Tolkien%20Society


As always, we ask you to please share this call for papers around  to anyone and everyone you believe may be interested. We would love to hear from you! Proposals from those typically excluded from formal academe are particularly welcome.


All abstract submissions are due no later than 15 September 2026 via Confex.

Tuesday, June 23, 2026

A Couple of Calls for Papers for You

𝔗wo calls for papers have come to the Society. The first of them is from Luis Guerra with ISSM, who writes

In 1996, Carl Sagan warned us of a time when people would lose their ability to question, “when awesome technological powers are in the hands of a very few . . . when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what’s true, we slide, almost without noticing, back into superstition and darkness.” Maybe Mr Sagan was somewhat pessimistic when writing The Demon-Haunted World. But then again, in times of conspiracy theories, Ancient Aliens, Antivaxxers, and Holocaust Deniers, the Age of Information appears just as capable of spreading dangerous frauds and charlatans as it is of disseminating reliable scholarship.

Now we witness a Minister of War, an evangelical, tattooed with the medieval crusader motto “Deus vult”, calling for an American Crusade. In another country, we see the memory of the Knights Templar invoked again and again as a founding myth to justify a quasi-manifest destiny. And all over the world, the achievements of our predecessors are often discarded as impossible, explained as the works of aliens, supernatural forces, or ancient lost (often white) civilisations, disregarding the works of historians, archaeologists, and other researchers. The past is ripe for conspiracies, and the Middle Ages are a particularly fruitful part of it.

The Studies of Medievalisms, often in dialogue with disciplines like Literature, History, Cultural Studies, and others, may not always identify itself as a hard Science. Nevertheless, it is still an academic field with its own methodologies, structures, and rigour. Faced with this encroaching darkness, as Sagan would say, we invite scholars to submit papers examining the multiple challenges of researching medievalisms and how we should address the growing spread of disinformation. Of course, other themes related to medievalisms, neo-medievalisms and the reception of the medieval as a whole are all welcome.

Organised by the ISSM (International Society for the Study of Medievalisms), the annual conference is the oldest to be entirely dedicated to the subject of medievalisms, and this year, for the first time, it will be taking place in the South Americas, Brazil. For this to be possible, we will be working with the Federal University of Pelotas (UFPel) to promote dialogue with professors and researchers from different countries and institutions, “aiming to connect the public with scholars engaged in Medievalism Studies around the world.”

The conference is accepting papers and entire sessions via this link [https://medievalisms.org/conferences/]. Submissions are open until September 01, 2026.

This is a 100% online conference, which will take place between October 9 and 10. More information about the guests, keynotes, and schedules will start to be published soon.

For more information, please email us.

Proposal:
– Each participant may submit up to 2 papers.
– Proposals for entire sessions can include a maximum of up to 6 people divided into two tables of 3.
– English will be considered the default language. Sessions in Portuguese, French, and Spanish will only be considered if there are enough papers to fill them.
– The themes of the proposals must include medievalisms, neo-medievalisms, or medieval reception. Papers that work with representations and memories of the medieval period and the history of historiography about the period are also welcome.
– In addition to the abstract (maximum of 500 words), it is possible, but not mandatory, to send the full text upon registration. This can assist in the evaluation of the proposal.
– For proposals for a complete session, the abstract must (in up to 600 words) describe the theme as a whole, as well as clearly identify what each proponent will talk about.

Evaluation:
– The evaluation, acceptance, or elimination of submission is the conference’s Organization’s responsibility through a double-blind peer-reviewing process.

General Observations:
– The certificate of presentation will be issued only to presenters who were not absent during the entire panel in which they participated.
– The result will be published on September 15, 2026

The second comes from Rachael Warmington, also with ISSM, who writes

ISSM Sponsored Session at IARHS 2027 Biennial Conference 2027 CFP
IARHS Biennial Conference 2027
4-5 June 2027
Irvine Valley College, California

Spaces and Stories of Resistance
Special session sponsored by the International Society for the Study of Medievalism (HYBRID)

Medievalist Outlaws and the Question of Authenticity
When looking at medievalist texts, films, or TV shows about outlaws, including those about Robin Hood, there is always the question of how “authentic” these accounts are, whether they were intended to be authentic in the first place, and what specific details are “authentic” or “inauthentic” in them. In Medievalism: Key Critical Terms, Pam Clements (2014) writes about authenticity as a lasting point to examine in medievalism studies, which itself have been seen as “inauthentic,” in contrast with “authentic” medieval studies. Bearing in mind the central theme of the conference, it needs to be studied why the resistance and rebellion of various outlaws should, according to some, be presented in a manner that is “authentic.” Papers could examine the interplay of authenticity and inauthenticity; the ways that claims to authenticity affect the scholarly approach to the work; or the role of the inauthentic in making stories authentic.

Please send your 250-word abstracts to: annaczarnowus@op.pl.

The deadline is 1 December 2026.

Members of the Society interested in submitting panels and sessions are encouraged to do so. Those wishing to discuss session-formation with other Society members are encouraged to use the Society Discord to do so; those not already having access to the Society Discord may request it by emailing the Society at talesaftertolkien@gmail.com. We'd love to hear from you!

Wednesday, June 3, 2026

Medievalist Fantasy and Science Fiction for NEPCA

𝔖ociety member Michael Torregrossa has a call for papers out, writing (with some adjustment for the present format)

My group is hoping to get a Medieval/Medievalism Area up and running for the Northeast Popular Culture Association (NEPCA). To do this, we need to show them there is interest in the topic. To that end, we'd like to organize a session this year on the theme of "Medievalist Fantasy and Science Fiction" for NEPCA's upcoming fall conference. The event will be online from Thursday, 15 October, through Saturday, 17 October. Registration costs are usually low, and NEPCA offers some funding opportunities, if needed.

If you're interested, please send me the following no later than 14 June:
  • Name
  • Email
  • Academic Affiliation
  • Brief academic bio (75 words or less)
  • What is your level of experience with NEPCA?
  • Are there any accommodations that would make the conference more accessible to you?
  • Time Zone
  • Proposal Type:
  • Working Title
  • Abstract (for a full panel, 250 words or less)

He notes, too, the following

Full panel presentation: Three to four people are each presenting their own paper, however the papers are thematically connected. Each presenter will have 15-20 minutes to present depending if there are 3 or 4 papers being presented. All names are required for full panel presentation at time of proposal.

If you're interested, let him know by emailing him here: medievalinpopularculture@gmail.com

Sunday, May 17, 2026

From #Kzoo2026 and Looking towards #Kzoo2027...and Maybe #Kzoo2028

𝔊reetings, all!

At the 2025 International Congress on Medieval Studies, held at Western Michigan University in Kalamazoo, Michigan, the Society hosted two paper sessions (Off of the Printed Prose Page: Multimodal Medievalisms and Bad Medieval/ism: Mis/Uses of the Medieval in Contemporary Fiction), a roundtable cosponsored with Tolkien at Kalamazoo (Adaptations of Tolkien: Medieval Traces in movies, Games, and Other Transmedial Texts), and the Annual General Meeting (AGM). Remarks about each follow.

The first paper session--Off of the Printed Prose Page: Multimodal Medievalisms--took place in a hybrid session at 10:30am Kalamazoo time on Thuirsday, 14 May 2026. Presiding was Society Social Media Officer Geoffrey B. Elliott. Presenting were Kristin Noone of Irvine Valley College and Society President Rachel Sikorski. Noone writes of her paper, "Unicorns, Dragons, Chaucer, Tintagel, and Euphoric Scentscapes," "Scent, Elise Vernon Pearlstine proposes, reflects identity, with deep historical connections to wealth and power. That history is evident in the scent catalogue of perfumer Black Phoenix Alchemy Lab. BPAL’s scentscape medievalism allows wearers to construct identities via a fantasized, affective, creative reenactment of an imagined aromatic Middle Ages." Sikorski, her paper's title changed from program listings to "Toss a Cover to Your Witcher: The Fandom and Virality of Fantasy Media’s Musical Reinterpretations," writes "This paper aims to explore, analyze, and discuss the rise of medieval and neo-medieval inspirations within various modern musical sub-genres such as bardcore, dwarf-metal, dungeon-synth, and more." Presentations were well received, and discussion that followed was both entertaining and generative.

The second paper session--Bad Medieval/ism: Mis/Uses of the Medieval in Contemporary Fiction--took place at 3:30pm Kalamazoo time. Presiding was Sikorski; presenting were Rebecca R. Davis-Lock of the University of Central Oklahoma, Elliott, and Julie Loveland Swanstrom of Augustana University. Davis writes of "The Imagined Medieval: Gendered Medievalisms in Tolkien Fanfiction" the following: "This paper explores how Tolkien fanfiction writers expand marginalized female characters while often incorporating Victorian-influenced medievalisms into their characterizations and narratives. Using literary analysis and corpus linguistics, it examines how assumptions about gender, class, and romance shape fan portrayals, revealing the lasting impact of medievalism on the fantasy genre." Elliott writes of "Another Update to 'Moving Beyond Tolkien's Medievalism'" that "The Fitz and the Fool novels evoke and frustrate the tropes Tolkien uses to simultaneously establish Hobb’s work as belonging to the Tolkienian tradition and assert independence from it, doing so in part by getting aspects of the medieval wrong in ways that differentiate Hobb’s work substantively from Tolkien's." Swanstrom writes of "Landlords, Succubi, and Environmental Harm: Medieval Christian Theology and Political Philosophy in Snow White and the Huntsman" that "In Snow White and the Huntsman, medieval Christian theology and political theory are both illustrated and misapplied. Lordship providing prosperity appears in Snow White's close and revitalizing connection to nature, a view historically applied to men. Further, Ravenna illustrates Christian concerns about female power, further illustrating the significance of gender." Discussion following the presentations was lengthy and enthusiastic, both on video and in chat.

The roundtable--Adaptations of Tolkien: Medieval Traces in Movies, Games, and Other Transmedial Texts--took place online at 1:30pm Kalamzoo time on Friday, 15 May 2026. Presiding was independent scholar Danielle Dupuis. Presenting were Elliott, independent scholar Margurite Lamy, independent scholar Robin Anne Reid, Sikorski, and Kris Swank of Pima Community College. Elliott writes "Expansions of The Lord of the Rings Roleplaying’s rules-set further the kind of medievalism that serves as a through-line from the game back through its antecedents into Tolkien and his own." Lamy writes "This presentation assesses Dunlendings' portrayal in The Lord of the Rings and adaptations of Tolkien's work. Drawing on adaptation and post-colonial medieval studies, it will examine how adaptations construct Dunlendings as the 'Other' and explore how 'other minds and hands' have crafted sympathy or antipathy for the people of Dunland." Reid writes "Drawing on medieval scholarship on rape and Kristine Larsen’s presentation on the language of rape in Tolkien, I analyze how the scene between Grima and Éowyn in the extended TT draws on two scenes in LotR (TT III, vi, 515 and RK, V, vii, 867) for Grima’s dialogue." Sikorski writes "The prepared statements for this roundtable will focus on how the video game developers of Tales of the Shire: A Lord of the Rings Game actually interpreted, translated, and expressed Tolkien's world, characters, and the spirit of the hobbits and their homes." Swank writes "This talk explores how non-canonical character names in screen adaptations of Tolkien’s works—like Figwit, Tauriel, Arondir and Héra—balance faithfulness to invented languages with storytelling goals. It investigates naming as a lens into adaptation choices, and how these creative decisions shape audience perceptions of authenticity in Middle-earth narratives." (Sreyasi Dey of St. Xavier's University, who was slated to lead off, was not present and did not deliver the anticipated remarks: "The paper posits the character of Itadori Yuji from popular shonen manga Jujutsu Kaisen in contrast with Frodo Baggins from Tolkien's The Lord of the Rings trilogy. It explores the Tolkienian echoes in the hero's sacrificial character in modern dark fantasy while plunging into the cultural differences that inform it.") Discussion among panelists and with the audience was lively and amicable.

The AGM took place online at 8pm Kalamazoo time on Thursday, 14 May 2026, and was called to order at 8:06pm. In attendance were Sikorski, presiding; Elliott; standing member Michael Torregrossa; and new member Vicky Rampin, who was at her request added to the mailing and membership lists of the Society during the meeting. Per earlier notice, the AGM treated the following items:

  • Determination of offerings for the 2027 ICMS;
  • Election of a Secretary, 2026-2029;
  • Election of a Vice-President (At-Large), 2026-2029; and
  • Other business brought before the membership, as time permits

By consent, the elections were treated first. Incumbent Vice-President (At-Large) Molly Brown and incumbent Secretary Rachel Sikorski were reelected by acclamation.

Elliott proposed four sessions for the 2027 ICMS, offering the following descriptions, as adjusted by discussion during the meeting:

  •  “Will It Bardcore?”: Explorations of Medievalist Music (A Roundtable, possibly to be cosponsored)--During discussion at the 2026 ICMS session, Off of the Printed Prose Page, Dr. Elizabeth Perry asked of various songs “Will it bardcore?” Although offered partly in jest, the question prompts consideration of what bardcore is, really; what makes for “good” bardcore; what representative examples of the genre are; how the genre borrows from and interacts with Tolkien and other neo/medievalisms; and what purposes and functions are served by the genre. The proposed roundtable offers space for such considerations.
  • Medievalism Outside Academe (A Roundtable or a paper session, possibly to be cosponsored)--Most faculty are contingent. The numbers of contingent faculty are dwarfed by those who, after spending years adjuncting, sought other careers yet still feel called to intellectual life. More yet did not pursue lives in academe but still have insights into the medieval, medievalist, and neomedievalist, as well as how they function. The proposed session looks to present perspectives on the medieval, medievalist, and neomedievalist from outside traditional academic structures, calling back to Richard Utz’s ICMS 2015 plenary lecture: medievalist work began as an amateur endeavor. Bringing in nonprofessional, underrepresented, outside perspectives remains worth doing.
  • Continued Lessons from the Professor: Borrowings from Tolkien, 2020+ (A Paper Session, possibly to be cosponsored)--The Tales after Tolkien Society has as its stated goal the investigation of medievalism in popular culture; it has in its very name a commitment to conducting those investigations through the lens of Tolkien and his works. With the COVID-19 pandemic and subsequent upheavals, it may well be that the focus that lens offers has changed. Papers for the session should look at shifts in use of Tolkien’s works, sources, and methods in the years 2020 and following, speaking to the “after” portion of the Society’s name with particular emphasis.
  • A Porlockian Perspective: Interruptions in Post-Tolkien Medievalist Works (A Paper Session)--The International Porlock Society, long meeting at the ICMS, is dedicated to the study and practice of academic interruption. While the Porlock Society focused its attentions on the works of Sidney and Spenser (himself an early medievalist), it is the case that interruption abounds, both in medieval literatures (witness Arthurian legend) and in the medievalist and neomedievalist media that emerge from them. The proposed session investigates the instances, forms, and functions of interruption in works of post-Tolkien neo/medievalist literatures and other media.

Discussion of the proposed sessions noted possibilities for cosponsorship, with Sikorski and Elliott agreeing to undertake outreach to selected other organizations for that purpose; results of said outreach will be discussed once available. Discussion also determined that all four sessions (and a meeting session for the AGM) will be proposed to the 2027 ICMS, asking for hybrid sessions for each with virtual meetings as a fallback.

Further discussion at the meeting pointed towards other possible Society offerings and directions. Torregrossa suggested the Society might undertake some sort of multimedia production to increase reach and access; consensus at the meeting is that the idea is worth investigating but would require more discussion than the AGM could afford it, so further talk in that line will be conducted on the Society Discord. As in past years, the possibility of presentation at / engagement with conferences other than the ICMS, notably the various PCA groups, was raised, with Torregrossa providing some contact information for the Northeast PCA. Additionally, Torregrossa suggested outreach to the Journal of Tolkien Research and to the June 2027 International Robin Hood Studies conference; Rampin also suggested outreach to the Association for Computers and the Humanities, noting also that such projects as the LotR Project provide useful models and might form the bases for additional engagement and research.

Of interest was a comment Torregrossa made late in the AGM, questioning links between AA Milne and JRR Tolkien. Consideration of such a question in a potential "Tales around Tolkien" panel to be proposed for the 2028 ICMS was undertaken and generally approved of, with consensus approving and suggesting some outreach to other organizations at the ICMS for cosponsorship. Further discussion will take place on the Society Discord and elsewhere.

No other business being before the Society, Elliott moved to adjourn at 8:15pm Kalamazoo time, which motion was acclaimed.


The Society is happy to accept new members, as well as guest pieces. Please email talesaftertolkien@gmail.com to sign on and offer ideas!

Thursday, April 30, 2026

AGM at #Kzoo2026

𝔗he President of the Tales after Tolkien Society, Rachel Sikorski, offers the following remarks regarding the upcoming Annual General Meeting of the Society:

The Society's AGM is being held virtually on Thursday, May 14th at 8pm EDT during the International Congress on Medieval Studies in Kalamazoo.

Agenda:

  • Determination of offerings for the 2027 ICMS;
  • Election of a Secretary, 2026-2029;
  • Election of a Vice-President (At-Large), 2026-2029; and
  • Other business brought before the membership, as time permits

The offices of Secretary and Vice-President may be any member of the Society in good standing who does not currently hold two offices on the Committee. Nominations, including self-nominations, may be emailed to talesaftertolkien@gmail.com.

If you are unable to attend the meeting for any reason but have business you'd like discussed, would like to run for an office, or have any other questions/concerns, please reach out to us.

Thank you and we hope to see you there!

Sunday, February 1, 2026

A Long-Delayed Irregular Post

t's been too long, of course, but there're several pieces of (maybe not new) news to pass along.

First is that the schedule for the International Congress on Medieval Studies is out. The Society has events, listed below in US Eastern Daylight Time (UTC-4):

  • Thursday, 14 May 2026, 10:30am, "Off the Printed Prose Page: Multimodal Medievalisms," featuring Kristin Noone of Irvine Valley College and Society President Rachel Sikorski
  • Thursday, 14 May 2026, 8:00pm, the AGM.
  • Friday, 15 May 2026, 1:30pm, "Adaptations of Tolkien: Medieval Traces in Movies, Games and Other Transmedial Texts (A Roundtable),"featuring Sreyasi Dey of St. Xavier's University, Society Social Media Officer Geoffrey B. Elliott, independent scholar Marguerite Lamy, independent scholar Robin Anne Reid, President Sikorski, and Kris Swank of Pima Community College
  • Friday, 15 May 2026, 3:30pm, " Bad Medieval/ism: Mis/Uses of the Medieval in Contemporary Fiction," featuring Rebecca R. Davis-Lock of the University of Central Oklahoma, Geoffrey B. Elliott, and Julie Loveland Swanstrom of Augustana University

All are available to online attendees; we hope to see you there!

Noted also are a couple of CFPs of interest. One comes via Society members Carols Robinson and Jamison and can be found here: https://drive.google.com/file/d/14K65E64VKF_T8DzY6lwCOD5FmNzcNBTL/view?usp=sharing. Proposals are due via linked form on 1 March 2026.

Society member Michael Torregrossa reports another one here, https://periodicos.ufpb.br/index.php/scandia/announcement/view/1076, on post-medieval reception of Vikings and Norse myths. Proposals are due on 15 September 2026 (a common date for these kinds of things) via https://periodicos.ufpb.br/index.php/scandia.

We look forward to seeing what comes!

Friday, November 21, 2025

Still Another Irregular Update

𝔚ith apologies for the late notice, but this only came in this week...

Prof. Jesús Ángel Solórzano-Telechea of the University of Cantabria notes that the 22nd International Meetings of the Middle Ages of Nájera, dedicated to “Disability and Inclusion in the Medieval City: A Comparative View between Europe and the Islamic World,” will be held 27–28 November 2025. Attendees are welcomed online or in person; register by emailing neim@unican.es. Prof. Solórzano-Telechea also remarks that "Registration is completely free, as the conference is supported by public funding from Spanish and European institutions."

So, if you're available and willing, join in!

 

Tuesday, September 2, 2025

Yet Another Irregular Update

ello once again, all! Since the season advances, we thought it might be good to offer a few reminders; please consider submitting and lett your colleagues, students, friends, and folks you know are interested in this kind of thing know about the following:

The Society's call for papers for the upcoming 2026 International Congress on Medieval Studies still remains live--until 15 September 2025. Details still remain here: https://talesaftertolkien.blogspot.com/2025/07/getting-going-for-kzoo2026.html. We'd love to have your submission for Adaptations of Tolkien: Medieval Traces in Movies, Games and Other Transmedial Texts; Off of the Printed Prose Page: Multimodal Medievalisms; or Bad Medieval/ism: Mis/Uses of the Medieval in Contemporary Fiction ("I Know It's Wrong, But I Want to Have Fun"). We continue to look forward to seeing you at the 'zoo!

Similarly still open until 15 September 2025 are

Also always open is the Society's call for submissions to this blog; we love guest pieces! Email talesaftertolkien@gmail.com with a pitch or a full piece, ranging from short-form scholarship to rewatches and rereads to reviews to longer-form commentaries. What you've got, we still want to see! (And, since this is the blog of a learned society and there is editorial feedback, it does count for CVs!)

We look forward to hearing from you!

Tuesday, August 19, 2025

Another Irregular Update

n an attempt to get back to posting often enough that it makes sense for people to look at what's going on here, the Society is pleased to make note of the following:

The Society's call for papers for the upcoming 2026 International Congress on Medieval Studies remains live. Details remain here: https://talesaftertolkien.blogspot.com/2025/07/getting-going-for-kzoo2026.html. We'd love to have your submission for any of what we have going, and we look forward to seeing you at the 'zoo!

Other calls for papers have come in, as well, in which Society members might be interested. Society Member Michael Torregrossa has Medieval Classics (Re)Illustrated: A Medieval Comics Project Teamup (hybrid): https://icms.confex.com/icms/2026/prelim.cgi/Session/7242, which he describes as 

Medieval literature has long been popular with comics creators as the source for stories and characters, which have been adapted, appropriated, and/or transformed within a variety of comics. In this co-sponsored session we seek, primarily, to unite the disciplines of Comics Studies and Medieval(ism) Studies at large to explore the history of comics adaptations, appropriations, and transformations of medieval literature for their value to our teaching and research. In addition, we hope panelists will also address how these comics can shed insight into a creator’s personal connections to the medieval past and/or their readers’ reception of the content.

Michael also has The Medieval Comics Project Bibliographies: Resources for Finding and Accessing Comics and Critiques (A Workshop) (virtual): https://icms.confex.com/icms/2026/prelim.cgi/Session/7246. For this one, he writes

This workshop session will highlight the recently launched Medieval Comics Project Bibliographies (https://tinyurl.com/MedievalComicsProjectBiblios), an open-access resource devoted to spreading knowledge of comics based on medieval subjects and furthering discussion and debate of this material.

And one more from Michael:

Magics, Marvels, Metamorphoses, and Monsters: Horrors of the Medieval Past, Present, and Future (Virtual)

Co-sponsored by Monsters & the Monstrous Area of the Northeast Popular Culture Association, Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, International Society for the Study of Medievalism

Organized by Michael A. Torregrossa, Bristol Community College, and June-Ann Greeley, Sacred Heart University

Medieval art, culture, and literature contain many elements we view as fantastical today. Images and stories are filled with displays of magic, appearances of marvels, occurrences of metamorphoses, and threats of monsters. All of these are now considered features of the horror genre, but did readers in the Middle Ages perceive them as such? Has our view of the preternatural changed so radically from the medieval era to now? In what ways have these aspects been transformed over time and in new places? We seek to answer these and similar questions in this session designed to unite medieval(ism)ists with colleagues across Monster Studies.

Possible topics
Demons, dragons, Faerie, gargoyles, giants, the Green Knight, Grendelkin, magic, Melusine, Merlin (his origins/abilities), Morgan le Fay, the Questing Beast, revenants, sea monsters, transformations, vampires, werewolves, wild folk, witches, wonders of the East.

Please post paper submissions into the Confex site using the direct link https://icms.confex.com/icms/2026/prelim.cgi/Session/7279.

Do send any questions to the organizers at popular.preternaturaliana@gmail.com.  Submissions are due no later than 15 September 2025.

Please be aware that those accepted to the panel must register for the conference in order to present. Past registration costs can be viewed at https://wmich.edu/medievalcongress/registration. The International Congress on Medieval Studies does offer limited funding as travel awards and subsidized registration costs; details are available at https://wmich.edu/medievalcongress/awards.    

For more information about the Monsters & the Monstrous Area of the Northeast Popular Culture Association, do check out our website Popular Preternaturaliana: Studying the Monstrous in Popular Culture: https://popularpreternaturaliana.blogspot.com/.   

For more information about the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, do check out our website Mass Mediævalisms: The Middle Ages of Popular Culture: https://medievalinpopularculture.blogspot.com/.  

For more information about the International Society for the Study of Medievalism, do check out our website at https://medievalisms.org/ and consider signing up for our listserv (details at https://medievalisms.org/issm-listserv/).  [Note that the Society itself is on the listserv.]

Leah Haught brought to attention the following:

Medievalists Design Games is a collaborative and interdisciplinary event that will bring together specialists in medieval studies and experts in modern board game design on UChicago campus in December. Participants will explore the possibilities for design in the classroom and in the public sphere and will work together to prototype new games that reflect their expertise.

For more information, please visit https://medievalistsdesign.games. Be sure to enter your email for very occasional updates about the event.  If you'd like to attend, please register here: https://forms.gle/v7ZouidpTZ5tQMrDA.

There's clearly a lot of the kind of thing the Society likes to do going on, and we encourage you--and people you know--to be part of it.

One other thing: the Society is always looking for guest contributors; some good stuff has come from our guest authors and their work! Email talesaftertolkien@gmail.com with a pitch or a full piece, ranging from short-form scholarship to rewatches and rereads to reviews to longer-form commentaries. What you've got, we want to see!

Addendum: This was also pointed out and may be of interest:

Inspired by the Medieval Academy Fellows Speaker Series, the Lone Medievalist is attempting to build a Database of individuals willing to give virtual and/or in-person presentations on a variety of topics. We hope to provide this information to our Lone Medievalists (and the rest of the community) so that they have a wider range of willing experts to call on for their teaching and community outreach needs. This list will be made available on our website and on our listserv.

Note: You do not need to be a Lone Medievalist to add yourself to the Database! SO in addition to signing up yourself, please share this widely with your networks to help us build the Database!

To add yourself to the Database, please fill out this form: https://forms.gle/RadcQHfjMGUsLTHe

As the Database develops, it can be accessed on our website here (be patient as it populates - come back frequently!): https://lonemedievalist.hcommons.org/speaker-database/