Welcome to the first part in the flagship Tales after Tolkien blog series of 2016-17.
Read the next post here. -GE
This is the first in (what I hope will be) a weekly series of re-watching Game of Thrones and each episode’s commentary. There will be some slight recapping, but primarily analysis, and I welcome (polite) discussion. Spoilers will abound, as will criticism and comparison to A Song of Ice and Fire. Without further ado—
Read the next post here. -GE
This is the first in (what I hope will be) a weekly series of re-watching Game of Thrones and each episode’s commentary. There will be some slight recapping, but primarily analysis, and I welcome (polite) discussion. Spoilers will abound, as will criticism and comparison to A Song of Ice and Fire. Without further ado—
1.1 “Winter is Coming”
Writ. David Benioff
and D.B. Weiss
Dir. Tim Van Patten
Commentary by David
Benioff and D.B. Weiss
Original Air Date:
April 17, 2011
Episode 1.1 is (aptly) titled “Winter is Coming,” and it
sets up the overall plot, aesthetic, and ethos of the show, while introducing
most of the major characters. Like the books, the show begins with Ser Waymar
Royce, Will, and Gared heading out north of the Wall and encountering the
wights and the White Walkers. This scene helps to set up one of the central
themes of the book and the title of the episode—winter is coming, and it’s not
coming alone. That’s why I was so
surprised to hear David Benioff and D.B. Weiss discussing how close they came
to not including this scene at all. They
were going to start with the Starks, but realized that characters kept talking
about the Wall, but no (non-book-reading) viewers would have any idea what they
meant by “the Wall,” so they shot and included the scene while reshooting the
pilot. This scene isn’t just the
prologue of A Game of Thrones; it
helps to establish the central struggle of the novels, that most of the people
of the southern kingdoms have no idea what kind of danger they’re in and are in
no way prepared for the coming winter.
With the hindsight of knowing how much of a mess the show becomes in
later seasons, this is an early red flag for trust in Benioff and Weiss’
understanding of the nuances and deeper themes of the novels.