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In the penultimate episode of the season, forces array against each other in advance of the clash to come.
3.8, "Dragonguard"
Written by Devon Giehl and Iain HendryDirected by Villads Spangsberg
Synopsis
Impressive. Most impressive. Image taken from the episode, used for commentary. |
At the towering Stormspire, Azymondias, Ezran, Rayla, Callum, and Bait learn more about the current situation of the Queen of Dragons from the mage, Ibis. She lives, but she is weak and withdrawn within herself, in something like a coma or deep meditation. Zym hesitates to approach her, and the rest proceed, leaving Bait with the young dragon. The immense form of the Queen of Dragons awes them, and Ezran attempts to reach her within herself--to no avail.
Rayla flees, and Callum pursues her, asking after her thoughts; she relates the unease at being where her parents fled and failed. He offers such comfort as he can.
No William Tell Overture here... Image taken from the episode, used for commentary. |
Birds of a feather... Image taken from the episode, used for commentary. |
Callum reports the conversation to Rayla, who balks at the implication that she should flee as her parents did--though she sends Zym, Ezran, Callum, and Soren on. She asks Callum to remember her as she makes to redeem her family's failure, and he rails against her acceptance of her parents' fate; it is not a happy parting, but, in its wake, Callum realizes there is something to be done, recalling a working Lujanne had done. He follows up on the idea, repeating the working to reveal what had happened when Viren had ransacked the lair of the King and Queen of Dragons. Rayla's parents had not fled, but had been defeated defending their charge from Viren; when Callum reports his findings to her, with all their horror, she realizes her path is her own to follow, and she determines to keep her fate with theirs.
Howdy, boys! Image taken from the episode, used for commentary. |
Discussion
As the season--and what has been released of the series as of this writing--is drawing towards a close in the present episode, there is little enough of new medievalism to trace. Tropes already in place continue, as does recourse to Tolkien for medieval ideas; there is something of the Battle of Five Armies in the setup the present episode offers.
A few small notes present themselves, however. Soren's comment about not climbing the mountain in armor is one; it evokes conceptions of medieval armor as cumbersome, defying common-sense ideas that fighting equipment needs to allow movement for fighting. Admittedly, the additional weight would be a problem for any heavy activity, however articulated and distributed the weight might be, but earlier instances in the series of Soren undertaking heavy activity in armor do not show the change. Rather, they reflect things others have reported (here, for example), namely that it is remarkably easy to move in medieval armor--the more so for someone long trained to it, as Soren would evidently be. So there is that.
Another is that the series seems to have finally come down against the kind of Crusader mentality on display among the human armies. It might be wondered whether the assertion--which puts the putative crusaders clearly in the wrong--is a comment on real-life parallels, particularly the ongoing appropriation by white supremacist groups of medieval imagery and (outdated) medievalist understandings to support their execrable ideology. But surely no children's program would engage in such persuasion...
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