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Read the next entry in this series here.
2.1 “The North Remembers”
Read the next entry in this series here.
2.1 “The North Remembers”
Written by David
Benioff & D.B. Weiss
Directed by Alan
Taylor
Commentary by David
Benioff & D.B. Weiss
Frequently, the titles of these episodes give a hint as to
what the thematic content of the episode will be, as well as some help in
interpreting the unifying idea of the episode. This isn’t always the case; the
title “Lord Snow” didn’t add much to the episode, and “Baelor” required some
deeper digging into the world of the books that the show didn’t have time to
include to tease out some unifying ideas. Then there’s a title like “The North Remembers,”
which seems like it should unify the episode but doesn’t do it in as obvious a
manner as “Cripples, Bastards, and Broken Things” or “Fire and Blood.”
“The North Remembers” refers to a saying in the books that
promises vengeance on those who have wronged the people of the north, kind of
like “A Lannister always pays his debts.” When used in the books, especially
toward the end of A Game of Thrones
and in A Clash of Kings, it is a
warning that Ned’s death will not go unpunished, and that they wish to return
to a time when the North was a free and independent kingdom, not subject to the
Iron Throne. There’s some of that in this episode, but not, on first glance,
enough to call the entire episode after it. Like “Baelor,” this requires some
deeper digging and closer looking to figure out what, exactly, the North is
remembering.
The obvious is Ned’s death. The episode provides three major
scenes that deal with Robb and his entourage planning the war. First, Robb
stops in at Jaime’s cage to taunt him; Jaime establishes that Robb has been
visiting him fairly frequently. Robb tells him he knows about Jaime and Cersei’s
relationship and how that led to Bran’s “accident.” Grey Wind, as Robb’s
emotional projection, lets Jaime know exactly how Robb feels about that. A bit
later, Robb sends one of his captives back to King’s Landing with peace terms
that he knows the Lannisters won’t accept; he doesn’t seem to actually have any
intention of making peace. Instead, he accepts Theon’s offer to get the
Ironborn on his side and makes plans to send Catelyn to negotiate an alliance
with Renly.
The trouble with the north remembering Ned’s death is Robb’s
willingness to leave Sansa (and presumably Arya, since nobody knows what
happened to her) with Cersei. He says it’s because he can’t trade Jaime for “girls”
and keep the respect of his men; Cat demands, “What are we fighting for, if not
for them?” Considering the whole thing started out as an attempt to free Ned
from custody, that’s a damn good question. What is all of this for, if not to
get the remaining Starks out of the clutches of the Lannisters?
Ironically, the very next scene has Joffrey claiming that he’s
sure the Starks will trade Jaime for
just Sansa, because they’re weak and “value their women too highly.”
However, if we expand the definition of “north” beyond the
Starks, some other types of remembering become clear. Osha and Bran head out to
the godswood and discuss the red comet that’s been hanging overhead. Everyone
has an opinion on what it means—Robb will win a great victory, Ned’s blood,
Lannister blood, Lannister victory—but Osha says a comet like that can only
mean one thing: “Dragons.” (In the books, this is Old Nan’s interpretation, but
giving it to Osha is fair, since hers is “blood and fire, boy, and nothing
sweet.”) Osha’s belief is, of course, the correct one, although there’s an argument
to be made that the Wildlings shouldn’t really have a memory of dragons, since
they almost never went north of the Wall. However, it connects to the other
thing the North (read: the Wildlings) remember, that’s only hinted about here:
the White Walkers. The Night’s Watch’s Great Ranging has reached Craster’s
Keep, and Jon asks a really good question about Craster’s cycle of incest: “What
do they do with the boys?” While the answer isn’t forthcoming in this episode,
it sets up the question to be answered later. The White Walkers are also the
ultimate answer to the question of where all the Wildlings went, why they’re
joining up with Mance Rayder, and what Mance plans to do with them. Mance (and
the rest of the North) knows what happens when winter comes, and they don’t
plan to be on the wrong side of the Wall when it does.
Finally, the North, as a region, is in a position to
remember Robert’s legacy in the form of Gendry. Cersei and Joffrey send the
Gold Cloaks out to slaughter all of Robert’s bastards (starting with the one in
a brothel owned by Petyr and run by Ros, who we finally see with her clothes on
through an entire scene) in a montage of child-slaying that’s pretty hard to
watch. It’s pretty hard for the people of King’s Landing, too, and the threats
of riot are already beginning. But Gendry has already left the city; he headed
north with Arya and Yoren at the end of last season. Of course, book readers
know he won’t make it past the Riverlands (and show-watchers know about his
mysterious rowboat disappearance), but at this moment, he’s headed North, to
the Wall, where things are remembered.
A few side things that should be addressed briefly:
This is the first time we hear “Rains of Castamere”; Tyrion’s
whistling it as he saunters into the Small Council chamber.
Shout out to Peter Dinklage’s wonderful face-acting in this
whole sequence (skip to 1:55 for the really good stuff):
We have an entirely new batch of characters on Dragonstone—Stannis
Baratheon, Melisandre, Davos Seaworthy, Cressen (for a bit). While all of the
casting on this show is particularly good, Carice van Houten as Melisandre is
inspired.
More Joffrey slappage!
RIP: Maester Cressen, lots of dark-haired children, Daenerys’
horse
Next week: Jaqen H’ghar! Salador Saan! Gilly! Ice Zombies!
Always good to read your work on this.
ReplyDeleteI forget the timing, but I wonder how much grumbling was going on about Scottish independence as the episode was filming/airing initially and its source materials being composed. Might that be something being referenced, do you think?
This aired about a year before the referendum, which means it was written about a year before that. Considering that Scotland's been kind of rumbling about independence since it was annexed, though, it wouldn't surprise me that the idea was there when Martin wrote the books. Probably not the specific 2014 referendum, though (for show or books).
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