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As the second season of the series ends, Bow gets a bit of backstory, and a clear direction is laid out for the story to continue.
2.7, "Reunion"
Written by Noelle Stevenson and Josie CampbellDirected by Jen Bennett
Synopsis
Yeah, a red, flashing screen's not a good sign. Image taken from the episode, used for commentary. |
No tension at all... Image taken from the episode, used for commentary. |
In private, Bow confesses to Glimmer and Adora, finding some rebuke from Glimmer. The family tensions at work emerge, but Bow notes that his dads' work offers them some avenue of insight into the problems of Mara and the signal.
It's not only flashing red that's a bad sign. Image taken from the episode, used for commentary. |
Bow suffers through a tour of his home as Lance and George show off what they have. There is much material to review, and Adora's ability to read the ancients' language produces interesting results.
He does cut a dashing figure. Image taken from the episode, used for commentary. |
Back in the Fright Zone, Hordak summons Catra to account for her failures--and for lying to him. It does not go well for her. And Shadow Weaver suddenly stands over a sleeping Adora...
Discussion
Bow's dads might be thought to be an immense departure from medieval history; popular conception certainly holds that, prior to "modern" "loosening morals," particularly in the "pure" European medieval, there was no sanction of homosexuality and that all practitioners of it were punished--severely. And while it is true that particular behaviors have occasioned rebuke at various points in the past, to assume that Bow emerging from a loving household headed by a pair of married men cannot be parallel to the medieval is flatly incorrect. Examples Berkowitz cites, for instance, point toward same-sex marriages (and what might be called "civil unions" closer to now); they are echoed by Pickett at Stanford, and Lyne points to similar examples in Ireland being not merely tolerated, but celebrated, just as others were solemnized with ceremony. Rather than being a deviation from the medieval, then, Bow's dads are a reiteration of it--if a less familiar aspect of the medieval for many.The names of Bow's dads, too, evoke the medieval, both calling to mind legended warriors--Lancelot and St. George. Their characters do not correspond so much to the names as others (Lance from Voltron: Legendary Defender comes to mind as an example), but there might be a backhanded comment to be found in their inability to address the fight in the later part of the episode when Bow is able to act successfully (namely via the battle of Crécy, in which English archery decimated Continental chivalry). It is, admittedly, a thin joke, but one that is not unfit for either the poorly-punning George or his and Lance's avowed vocations as historians.
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