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As the first season of the series closes, some problems are solved--but others emerge to take their place.
1.9, "Wonderstorm"
Written by Aaron Ehasz and Justin RichmondDirected by Villads Spangsberg
Synopsis
Look closely, and you can just see them, small creatures against the size of the world. Image taken from the episode, used for commentary. |
On the mountainside approach to the cursed caldera, Ezran reiterates that there is no miracle healer to be found. Callum presses for an explanation that stretches credulity. Ezran notes an ability to speak with animals, and Callum reacts badly. The group presses on, beginning to encounter strange sounds and sights.
Claudia and Soren press on, as well, approaching the tallest mountain of the kingdom so that Claudia can cast a spell to track Rayla and the princes. Their trip appears to go reasonably easily and well.
Spooky. Image taken from the episode, used for commentary. |
That, there, is quite the apology. Image taken from the episode, used for commentary. |
Cue up Manfred Mann... Image taken from the episode, used for commentary. |
After a short period of despair, Callum realizes that a magical object he carries will avail, and he smashes it. A storm swells overhead, and the egg is hatched, if with some peril and after some doubt. The young dragon, Azymondias, releases Rayla from her bonds and gives hope to the group.
An ill omen, indeed. Image taken from the episode, used for commentary. |
Discussion
It is of some interest that the (illusory) creatures that bar Ezran, Cayla, Callum, Bait, Ellis, and Ava's path are monstrous spiders. It seems to be a nod to the expected secondary audience of the series, one that watched Peter Jackson's Lord of the Rings and Hobbit movies and / or read Tolkien's books from which they are adapted; it is, as might have been mentioned before, not a stretch to think that parents who number among that group (myself included) would recommend the present series to their own children. Others, of course, have written at great length and with great eloquence about Tolkien's relationship with and literary depiction of spiders; I need not rehearse the work here, though the Society's own Luke Shelton would be an excellent point of contact about such things.
I am put in mind, also, of the recent guest post from Kristine Larsen, discussing comets and their manifestations in medieval and medievalist work. And I find it interesting that the comet-like manifestation of the Claudia's spell at the end of the present episode occasions delight in beauty from Azymondias, Ezran, Callum, Rayla, Ellis, and Ava--who, being young and inexperienced, can be assumed not to know better; fear and apprehension from Lujanne; and a smirking satisfaction from Viren. Lujanne alone holds to the typical reaction to comets--although Viren's enjoyment of the manifestation connotes his approval of tumult and upheaval, the "death of princes" to which Larsen, following Shakespeare, attests. It is an effective use and reappropriation of the medieval, deliberate or not, and another point that makes the continuation of the series more happily anticipated.
Please note that next Thursday, 26 November 2020, is Thanksgiving in the US. I live in the US, and I will be taking the time to spend with the people in my home. Be safe, be well, and be back in two weeks as I get into the second season of The Dragon Prince on 3 December 2020!
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